Tuesday, February 19, 2013

Something like appendix (1)


Hello.

It finally became the last twice. It is with the blog of the purpose that I condense and tell about a part feeling that I was not able to convey the twice from this time so far. Then shall I begin it?

I took it up about Ogaki Festival in beginnings. I talked about a festival car in various ways on this occasion. The sentence of contents to add to an article of this time is this.

As for the Ogaki-Festival, damage and the destruction by fire of the festival car occurred successively by a man-made disaster and a natural disaster so far. Speaking of a big thing, it will be an air raid caused by the war by a man-made disaster in particular. The target is the castle tower of the castle. When there is an air raid in the place where the warehouses of many festival cars gather around the castle tower, in the case of Ogaki, it is instantly with a burnt field. So there are few festival cars left by an air raid, and it is thought that, fortunately, they looked good with the loser of the castle town.

In the festival car left for the war, there is such a precious thing. One of the wood which is used, for example, is a thing of the Edo era. It becomes oldest in the festival car existing in Ogaki that there is this pillar. While by little reinforced the rotten thing and supplemented it of new wood, the wood in such Edo era disappeared.

It faces each other, and a natural disaster is an earthquake. Because only this is a thing near unpredictably, I am sorry if generated. It was the worst, and the man-made disaster seemed to have the policy to let festival car itself evacuate stolen when they felt some crisis, but it often seemed to be just said with suffering even if damage compared it with a man-made disaster in the case of a natural disaster because it was big. In addition, the flood was the same, and festival car would be the measures that there was no help for it because they were not able to let it go outside if there was much rain.

In spite of such a disaster, there were many the towns which worked on the rebuilding. And all the festival cars assembled in full force at time of the festival of the last year and got a plaudit. There was the town which at last they were able to rebuild last year. In fact, it has became without the document about the festival car by the warehouse having disappeared by all disaster. Two pieces of old photographs were found accidentally, and there was the town which worked on the rebuilding to see the photograph. A question was left how you were able to rebuild the part of the decoration when you watched it and was not restored the place that I watched in the case of a festival in last year 100% more and knew that they didn’t still put any processing for a decoration part. It is a place to be worried about this year begins, and what kind of activity you carried out.

The mechanism was unfinished, too. The person from Chubu District thinks that I understand it, but there is the technique called the detached room show box. This usually has one thread to handle to a doll, but a thread is set up complicatedly in various ways, and all is a thing concerned with the movement of one doll. Audiences will be that become thrilling that a doll don’t fall by doing such a detached room mechanism. When there was the festival car which performed these works to Ogaki and thought to go to watch it because it was restored last year, there was not still a mechanism. An apprentice to a priest thrust one hand to a stand and, by the festival of the hometown, stood on hand and heard it when it was the device which did a dance with a fan to have in the other hand. However, movement to point out a way to a stand was omitted as of the last year, and I watched it, and an answer did not do it too much. I want to look at the place there carefully this year.

I will answer it that I can write it in the case of me if said that I write it about the festival car of the festival. However, I think that it becomes painful about a stand exiting for a festival if said that I write it. The common Japanese seems to have many people enjoying a stand than a festival car. I may see some figure eating when I say a festival in other countries. The young human being takes form called eating its way, but I don’t do such a thing very much. I’m not interested in a stand. On the other hand, I enjoy it to see a festival car while other people enjoy a stand. It may be that I’m a festival car enthusiast of the festival so that there are a trip enthusiast, a railroad enthusiast. It may be in this way good. Money not disappearing to there because the festival car doesn’t cost money when try it out, as for being troubled growth to gain weight to have been over after all, in the case of me, there are none a hand to a just delicious thing. When there is the latter with me adversely and turns around, I may diet. It walks

I take up an original way of enjoying last this time and there is quite many it and writes the thing which I was not able to write so far. Putting it up is slightly more different in a chapter than a past thing. I think that it which writes one’s thing which I want to write is blog. There became more too few it, but touch it about the questionnaire that I carried out on blog towards a beginning on the next time and want to do a characteristic in the sentence that there is more.

Monday, February 11, 2013

Festival to watch in the world of Kabuki


Hello.

I want to change an idea a little this time. It is a place to always catch mule Festival itself, and to speak in detail, but wants to introduce the program that Kabuki about the Japanese festival is various.

At first the thing to introduce is “There is a festival.” According to the name, it feature the theme of a festival of Edo called the Sanno Festival. Only as for people who seem to still go to the festival including a merchant and the head fireman who came to the character who came to the character who came out to this for the festival. In an atmosphere to be cheered up by Sanno Festival of Akasaka, Hie-jinja Shrine for contents, it is the dancing thing that the head fireman of slight intoxication addition and subtraction begins to dance noisily. This program is to be shown in gala opening of Kabukiza from April. In addition, this is staged as a program to give to late Kanzaburo Nakamura in last December.

This is because it is the year when Kabukiza which is the most big theater of Kabuki which is a Japanese traditional entertainment is rebeared as for this reason, it which I featured the theme of this year this time, and it opens newly. Kabukiza which was forced to closing with deterioration in April, 2010. Then Kabukiza revives in April of this year when three years pass. However, it was three years that I was sad for these three years, and were hard. The death of the Kabuki actor had a big first damage. A series of death of the living national treasure. There were many cases of the all death from an illness, and this came to be said until ”A spell of Kabukiza ” among the fans all.

In late years Kabuki gives a performance in all parts of the world, and there are many works known globally. However, the person who performed a Kabuki performance like that in a foreign country hangs it in this year from last year and dies in succession and feels it when an opportunity to perform it globally from now on may disappear. I forgot to say it, but originally Kabuki is that the common people were seen from a foreigner to a feudal lord at the time of flower viewing of the cherry tree from the start. In other words flower viewing to say in Japan was a kind of festival, and Kabuki rooted in the mass society there. Would you have you understand the close relation of Kabuki and the festival?

I wrote it about a relation with Kabuki this time. I thought about an example, but Kabuki didn’t have it to there. There was the work called the summer festival Naniwa model, too, but meanings were totally different though the character called the festival was used. But I was able to learn about the relation of Kabuki and the festival on the occasion of writing this article. “In Commemoration of the new Opening of the New Kabukiza Kabuki: Theaters during the Edo period” is held in Suntory Museum in Japan until March 31, and the document which understands the relation with the festival there is displayed. I recommend that he/she goes to look because it is interesting.

Then as for the next time in fun.

Saturday, February 2, 2013

The old thing is come down forever


Hello. This theme is a tradition. Without several degrees, I wrote it, but it is an inherited theme so far to be old. Before last week or it, I touched it about the traditional break of the musical accompaniment, but save the sculpture of the festival car of the Japanese festival this time.

This example makes Ogaki Festival, too. The festival car of the Ogaki Festival keeps it in the warehouse of the festival car, but the preservation of the sculpture is great. It is eaten by an insect when they put it in a warehouse for one year and corrodes by various animals. In addition, they only restore one sculpture, and a large amount of fund is necessary. So they may not restore it immediately even if they found it for a festival of the age. If each town is rich, the story is different. Generally they cannot recruit you to a fund in a town, but, as for the festival car, the budget to be concerned with isn’t usable to there because it is enrolled in cultural assets after all to worship you because it is small.

They device each festival car in various ways and survive it to minimize such a restoration. There is the technique to pour that there is a box not to just put it in the warehouse, and to put every sculpture well and overturns with cloth, and prevents it, but of course the prevention of decay processing goes. In addition, they may rouse attention so that a person doesn’t touch it if possible. But a person knowing it well is different. It is sure as possible that it prevents a person from touching it. There seemed to be that they became a target of the destruction by an artificial mistake even if I did something like that in old days. I don’t hear it very much now.

The sculpture was so, too, but a laborer seemed to be necessary for the warehouse in various ways because there were both the personal ornaments and the case to have stolen in old days. Because it is the genuine article of the famous painter, the personal ornaments may be traded at a high price in only with an old thing when they sell to antiquary. There seem to be many thieves for it, too. It is the most reliable that the police stand all the time, but it isn’t possible from lack of talented person and lack of funds. It is possible only from the door that a thief enters. When some doors opened, a bell rang, and it has the device which it can report to the police immediately. There is the place following with a security camera now. There was not the machine which was high technology from the Edo era. A wall provided it around a door when I said how you protected it, and the system was such that I didn’t put it when the point didn’t break the wall from there. There is still the town following in it

If anything, I wrote down a preservation method than a tradition this time. By the way. I wrote it considerably, but how is everybody a feeling? The festival of Japan has a problem in the same way as world other festivals. I think that I wrote a fact faithfully so far. I approach the final stage from now on. The subject of the Ogaki festival doesn’t leave it, but wants to write it every week well from now on. As for the next time in fun.